The B-Class Jokes, held at the Jeonbuk Museum of Art, is a curated exhibition featuring 22 teams of artists from Korea and around the world. Through ‘B-Class language’ and ‘the aesthetics of juxtaposition’ within contemporary visual art, it shakes the boundaries between mainstream and non-mainstream, normal and abnormal, while illuminating marginalized beings within capitalist conditions. The works weave together fragmented realities from diverse perspectives, exploring the possibility of a new community grounded in sensory equality.

Everyday Practice visualized diverse perspectives on fragmented reality and the concept of B-Class language within it, connecting it to Guy Debord’s work <The Naked City>, 1957. Debord depicted the city not as an orderly map but as one reconstructed following individual senses and experiences. This attempt to reconnect fragments pushed to the margins by existing systems to reveal new landscapes served as the visual motif for the poster of The B-Class Jokes. Within a structure reminiscent of maps and coordinate systems, scattered data points form loose connections, visualizing a multi-layered network of relationships. The typography, developed through the repetitive process of printing, cutting, and scanning letters, implicitly captures the new communal world within the exhibition’s state of incompleteness.